Joe Gardner is a middle-school band teacher who gets the chance of a lifetime to play at the best jazz club in town. A misstep takes him from New York City to The Great Before, a fantastical place where new souls get their personalities before going to Earth. Determined to return to his life, Joe teams up with a precocious soul, 22, who has never understood the appeal of the human life. As Joe tries to show 22 what's great about life, he may discover...

Since the first edition of The Jazz Standards was published in 2012, author Ted Gioia has received almost non-stop feedback and suggestions from the passionate global community of jazz enthusiasts and performers requesting crucial additions and corrections to the book. In this second edition, Gioia expands the scope of the book to include more songs, and features new recordings by rising contemporary artists. The Jazz Standards is an essential comprehensive...

"From the author of the definitive biography of Frank Sinatra, the story of how jazz arrived at the pinnacle of American culture in 1959, told through the journey of three towering artists-Miles Davis, John Coltrane, and Bill Evans-who came together to create the most famous and bestselling jazz album of all time, Kind of Blue The myth of the 60s depends on the 1950s being the before times of conformity, segregation, straightness-The Lonely Crowd...

"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips....

"Jazz icon Sonny Rollins found an inspired spot to practice his saxophone when his neighbors complained"--

The son of a grieving Jewish family in jazz age Chicago impresses patrons of a mob-controlled saloon with his piano talents, which become subject to a changing music era, his need to survive, and exacting mob demands.

"Ayler synthesized children's songs, La Marseillaise, American march music, and gospel hymns, turning them into powerful, rambunctious, squalling free-jazz improvisations. Some critics considered him a charlatan, others a heretic for unhinging the traditions of jazz. Some simply considered him insane. However, like most geniuses, Ayler was misunderstood in his time. His divine messages of peace and love, apocalyptic visions of flying saucers, and...